Jeff is a multi-award winning producer/director specialising in feature-length documentaries. His latest film TELEVISION EVENT met overwhelming critical acclaim at Tribeca 2021 and has since won multiple awards including a Special Mention for Best Australian Feature Documentary at the Sydney Film Festival. His first film, THE 10 CONDITIONS OF LOVE (2009 – ABC), made international headlines for highlighting China’s arbitrary imprisonment of the Uyghur. His film MOTHER WITH A GUN (2016 – Netflix) went inside the militant Jewish Defense League, FAIR GAME (2017 – SBS) exposed systemic racism in within the Collingwood Football Club, and CITY OF JOEL (2018 – Samuel Goldwyn Films) documented the controversial land expansion of a Hasidic community in New York.
Ngarra is a First Nations woman of the Dja Dja Wurrung (Yung Balug), Yorta Yorta, Wamba Wamba and Dhudhuroa whose country and family is at the heart of this film. She is the Executive Lead of Oxfam Australia’s First Peoples Program, a member of the National NAIDOC committee and a Board Member of the Pastor Sir Douglas and Lady Gladys Nicholls Foundation (she is also their great granddaughter).
Bill Code is a film-maker and video journalist who has worked as a shooter/producer with Al Jazeera and the BBC, while also heading up video in the early days of Guardian Australia. This is his first feature-length film, off the back of his 2014 film feature Inside Out: Indigenous imprisonment in Australia which (NITV/The Guardian). Bill directed, produced and shot the bulk of The Lake of Scars.
Deane Williams is Associate Professor in Film and Screen Studies, Monash University. Deane is a film historian specialising in documentary film history and Australian documentary authoring or editing 12 monographs and of numerous articles. From 2007-2017 he was foundation editor of Studies in Documentary Film a scholarly journal dedicated to the history and criticism of documentary. He has regularly served in leadership and community engagement positions.
Sari Braithwaite works across the disciplines of film and history. Her 2016 film Paper Trails earned her a Directors Guild Award.
She was a recipient of the 2015 AFTRS Creative Fellowship to create her first feature length experimental work [CENSORED], which was awarded Best Documentary at the Chicago International Film Festival.
In 2020 she presented a multi-screen work for the permanent galleries at the Australian Centre of the Moving Image, titled You Will See Me. Her recently completed feature documentary Because We Have Each Other will premiere in 2022.
Kacey Sinclair is a historian and heritage advisor at Biosis (Heritage Consulting). She is also a PhD candidate at La Trobe University where she investigates the experiences and legacies of non-Aboriginal women of colour in colonial Victoria. Her research focuses on Fanny Finch who was a woman of the African diaspora, businesswoman and single mother of four who resided in Castlemaine from 1852 to 1863. Finch is known as one of the first female voters in Victoria and as a voice for women’s rights during the mid-colonial period.
Jeni McMahon has been involved in producing and funding memorable and meaningful factual content throughout Australia for twenty three years.
Currently the lead investment manager for Documentary at Screen Australia, Jeni was previously a producer, executive producer and managing director of her company Rebel Films and a former investment manager at Film Victoria. Jeni has worked with many of Australia’s leading documentary filmmakers and has a deep understanding of how the industry works from both a creative and financial perspective. As an independent producer, she has worked closely with Indigenous communities to create iconic series such as Bush Mechanics and more recently the Black As web-series, which has garnered over 200 million views on social platforms. With over 20 broadcast credits for ABC and SBS, career highlights the multi-award-winning documentary Then the Wind Changed (2012 Walkley, 2012 ADG Nomination, 2013 ACCTA, 2013 Logie Nomination) and the doco-drama Coniston (2012 ATOM) and the production of Marree Man, Australia’s first “mobi-doc” a made for mobile documentary and a finalist at the 2007 Mipcom Mobile and Internet TV Awards.
Dave Sweeney has been active in mining, resource and nuclear issues for three decades through his work with the media, trade unions and environment groups. He leads the Australian Conservation Foundation’s nuclear free campaign and is a co-founder of ICAN, the International Campaign to Abolish Nuclear Weapons, which was awarded the Nobel Peace Prize in 2017.
Jeff is a multi-award winning producer/director specialising in feature-length documentaries. His latest film TELEVISION EVENT met overwhelming critical acclaim at Tribeca 2021 and has since won multiple awards including a Special Mention for Best Australian Feature Documentary at the Sydney Film Festival. His first film, THE 10 CONDITIONS OF LOVE (2009 – ABC), made international headlines for highlighting China’s arbitrary imprisonment of the Uyghur. His film MOTHER WITH A GUN (2016 – Netflix) went inside the militant Jewish Defense League, FAIR GAME (2017 – SBS) exposed systemic racism in within the Collingwood Football Club, and CITY OF JOEL (2018 – Samuel Goldwyn Films) documented the controversial land expansion of a Hasidic community in New York.
Jacinta Walsh has been involved in social justice and environment issues since her early twenties. She has run multiple Transition workshops for environmental groups in Victoria, Tasmania and NSW talking about climate change issues and the need to transition to a more sustainable future.
In recent years Jacinta has become increasingly frustrated with Australia’s inaction in dealing with the climate emergency. This has led her to take a more proactive approach and last year she locked herself onto infrastructure at the worlds largest coal port in Newcastle, NSW.
Jacinta says she will keep locking on, even risking jail to try and get Australia to take action on climate change. Jacinta points out that the most recent IPCC report released in April 2022, states that humankind has two or three years left to act to mitigate catastrophic climate change.
She states, “We have literally no time to waste; we need to start transitioning our way of life right now, yesterday even!! Australia needs to immediately stop taking fossil fuels out of the ground; Australia needs to stop its extractive systems that destroy the environment.”
Jacinta feels she has no other voice but her body, and will continue to put herself on the frontline with non-violent direct action civil disobedience.
Rilka Laycock-Walsh: Political Climate Activist working full time (unpaid) with Blockade Australia.
I grew up in Castlemaine, started my activism with Front line Action on Coal at Act Up in 2019, shutting down the world’s largest coal port for a day with a mass action, and my dad. Moved to the Adani Blockade 2019 and then Meanjin (Brisbane) a year later to focus on the whole climate crisis with Extinction Rebellion. Covid struck and mass mobisations ceased. We formed Refugee Solidarity Meanjin to protest inadequate covid protocols and the general dire situation of a group of Medi-Vac Refugees imprisoned in a cheap motel situated in the heart of the city. We started XR back up, but couldn’t get it back off the ground, so we formed Blockade Australia, aimed at cultivating a culture of sustained direct action that targets critical infrastructure to Australia, createing political agency and leverage, ultimately to prevent violently destructive climate chaos.
The port of Newcastle was blockade over 11 days. 14 actions brought the world’s largest coal port to a standstill for over 70 hrs in November last year (with my mum this time). The port of Botany was shut down 9 times over 5 days this March.
Based in Newcastle and Sydney the past year, mobilising people to Resist Climate Inaction this June 27th to July 2nd in Sydney.
Ben is a passionate environmentalist and strong advocate for Indigenous rights. His love and passion for Nature is what drives Ben to educate the broader community about the importance of protecting wild places around the globe for a safe and sustainable future for the generations to come. He is part of the School Strike for Climate and has been a strong advocate for change for many years. Ben was a participant of the Lurudjarri Trail in Western Australia in 2013.
Emmanuelle is originally from Canada and is very passionate about Indigenous Knowledge System and culture from back home. Her ancestry comes from “Les coureurs des bois” which were the first French to arrive in North America and lived in harmony with “Amerindians”, native people of Canada for 150 years. This history has strongly influenced the way she sees the world. She graduated from Latrobe University in 2014 with a degree in Environmental Education and has twenty years of outdoor education experience with her speciality in rock-climbing: multi pitch, top roping, abseiling and rope access work. She holds Wilderness First Aid and Level one rigging certificate. Emma is currently undertaking formal climbing guide qualification with the ACIA. She was also a participant of Lurujarri trail (Western Australia) in 2012 and 2013 and has been a passionate advocate of Indigenous Land rights ever since.
Hollie Fifer is currently the Director of Australian Programs at Doc Society and Director of the arts not-for-profit Schoolhouse Studios in Melbourne, Australia.
As a documentary filmmaker, Hollie’s films have screened at festivals and broadcasted within Australia and internationally. THE OPPOSITION, Hollie’s debut feature documentary produced by Media Stockade, world premiered at Hot Docs and IDFA in 2016 before winning the Grand Prize at FIFO, screening at the UN Human Rights Council, winning Best Documentary Feature at the Oz Flix Independent Film Awards and screening in over 35 countries.
Hollie serves on the Board of the Australian International Documentary Conference (AIDC)
I am a 73 Year Old Gay Man ,I have been out and proud since I was 15 years old (1964) ,My Parents and Siblings all accepted me for who I am and I am very fortunate to be so loved ,I am now involved is as many LGBTQIAA+ projects as I can , I work with a few groups in Melb and also on Committees in Hepburn Shire ,Retired now so loads of time on my hands to be an elder of our community and be a teacher and assist people from all walks of life
Vanessa accepts briefs in all areas of family law and related jurisdictions.
Hailing from South West Victoria, Vanessa worked as a solicitor advocate in Geelong providing advice and representation to clients in a broad range of family law, family violence and child protection matters.
Immediately prior to coming to the Bar, Vanessa worked at the Federal Circuit and Family Court of Australia for various Justices, Judges, Senior Judicial Registrars and Judicial Registrars. Previously, Vanessa was the Associate to her Honour Judge Jones. Her Honour mentored Vanessa in family law, employment law, migration law and human rights law.
Vanessa holds a Bachelor of Laws from La Trobe University, and a Bachelor of Biomedicine and Diploma in Languages from the University of Melbourne.
She is a part of the Victorian Bar’s LGBTIQ Working Group and has recently been appointed President of Pride in Law, Victoria.
Bill Code is a film-maker and video journalist who has worked as a shooter/producer with Al Jazeera and the BBC, while also heading up video in the early days of Guardian Australia. This is his first feature-length film, off the back of his 2014 film feature Inside Out: Indigenous imprisonment in Australia which (NITV/The Guardian). Bill directed, produced and shot the bulk of The Lake of Scars.
Dja Dja Wurrung elder Uncle Jack Charles provides a unique ‘storytelling’ hosting of the film, far from a static ‘narration’.
Ngarra is a First Nations woman of the Dja Dja Wurrung (Yung Balug), Yorta Yorta, Wamba Wamba and Dhudhuroa whose country and family is at the heart of this film. She is the Executive Lead of Oxfam Australia’s First Peoples Program, a member of the National NAIDOC committee and a Board Member of the Pastor Sir Douglas and Lady Gladys Nicholls Foundation (she is also their great granddaughter).